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To mikrofonforsterkere med tredje generasjon IMPACT III™ teknologi:
Med to suverene mikrofonforsterkere vil du aldri trenge å bekymre deg over opptakskvaliteten igjen. Impact III forforsterkerne er boutique-kvalitet rett i boksen!
Kanal-verktøy:
Impact Twin gir deg raskt og effektivt tilgang til vellydende preset for inngangskanalene dine. Enklere blir det ikke å skape et godt sound!
Kanal-verktøyene i Impact Twin inkluderer en kompressor, en equalizer, en de-esser og en effekt-send, slik at du kan få kremlytting og utsøkt lydkvalitet uansett hvilken kilde du tilkobler. Et instrument tilkoblet D.I.-inngangen, eller en mikrofon i mik-input’en, vil uansett gi deg de beste forutsetninger for å kapre din beste fremføring. God lytting = bedre resultat!
Optimalisert høy-ohmig inngang for elektrisk gitar:
Du kan være sikker på at tonen i din feteste el-gitar blir tatt godt vare på! De to front-monterte jack-inngangene på Impact’en har optimaliserte innganger for høy-ohmige instrumenter.
Direkte monitor-klang
Det overrasker vel ingen at TC lager gode klanger. Med TC Near software, får du latency-fri lytting med TC’s fantastiske reverb’er rett i øret. Hodetelefonforsterkeren er forøvrig kraftig nok for de fleste hodetelefoner!
iCheck.
iCheck (Integrity Check) er en funksjon som gir deg en mulighet for å kvalitetssjekke bit-reduksjonen man får på mp3 og AAC-filer. Ved kun å lytte på side-signalet i monitorene dine, vil man kunne avsløre bi-effekter i komprimerte lydsignaler.
Inkluderte plug-ins (M40 reverb, ResFilter, Assimilator):
Impact Twin har selvfølgelig noen flotte plug-in effecter inkludert I pakken. M40 studio reverb er basert på algoritmer fra TC’s kritikerroste Reverb 4000. ResFilter er, som navnet indikerer, en filter-effekt som gir deg alt fra fete Moog-aktige filtre til modulasjonseffekter. Og hentet direkte fra Powercore-produktene, er Assimilator en både nyttig og kraftfull eq-prosessor.
Hardware-kontroll av kompressor:
I stundens hete er rask og effektiv kontroll av kompressoren fra frontpanelet, en funksjon du kommer til å elske med ditt Impact Twin kort. Med lysindikator på innstillingsparameterne får du visuell oversikt på et øyeblikk!
Digitalt snikk-snakk - JetPLL:
Den digitale rutingen i lydkortet og selve konverteringen er håndtert av TC’s egenutviklede DICE II chip. Denne kretsen bestemmer hvor nøyaktig konverteringen foregår. Jo bedre PLL-krets, dess bedre lydkvalitet.
192/24 HD konvertering:
Impact Twin’s digitale konverterkrets lar deg velge mellom alt fra 44,1kHz til 192kHz sample—rate. Med andre ord: - dette er såkalt høy definisjons lyd, som ivaretar alle mikrotransienter i dine lydsignaler.
Ableton Live Lite 8 TC Electronic Edition:
Med i esken får du en spesialversjon av Ableton Live Lite 8 - TC Electronic Edition. Dersom du ikke allerede eier et software til musikkproduksjon, kan du m.a.o. starte opp med det som finnes vedlagt sammen med lydkortet ditt.
14/14 I/O (4 analoge og 10 digitale I/O)
14 innganger og 14 utganger, gir deg mulighet til å ta opp hele band-besetninger og seriøse prosjekter. 4 analoge innganger og 8 digitale via ADAT-formatet, samt 2 digitale S/PDIF inn og ut gir deg fleksible oppkoblingsmuligheter.
Introducing Impact Twin...
Impact Twin is a brand new, state of the art audio interface that features ground-breaking technology to ensure that the music you record sounds as good on the inside of your computer as it does on the outside. How?
Well, Impact Twin’s two mic preamps utilize our Impact III™ Technology which itself features three stages of top level processing. You get a high quality and very flexible mic preamp, superior 24/192 HD Conversion, plus a set of recording Channel Tools that lets you shape and optimize your sound making it the perfect recording. With each of these stages carefully combined behind Impact Twin’s rugged and cool looking exterior, you have a ‘take anywhere’ device that offers the ultimate in recording quality.
Let’s look in more detail at those all-important stages.
The Impact III Mic preamp makes the best of any microphone. So whether you record with the finest vintage tube mics, the most demanding low-budget condensers, or even a handheld dynamic, Impact Twin has been designed from the ground up to maximize the signal you record into your DAW. And with the two Impact III mic preamps, Impact Twin gives you maximum flexibility. Whether recording instrument, line or mic, with or without phantom power, Impact Twin works the way you need it to.
However, no matter how good your mic preamps, if your signal path doesn’t then lead on to the best converters then you may as well pack up and go home. Impact Twin’s 24/192 HD Convertors let you select your conversion rate – all the way from 44.1kHz right up to High Definition 192kHz for the ultimate in pristine audio capture, maintaining the essential transients of your sound.
For years we’ve been innovating in the world of signal enhancement, so Impact Twin includes essential recording Channel Tools that go even further to optimize your sound with onboard EQ, Compressor and De-esser that quickly, simply and invisibly tame and enhance those signals – no matter what you’re recording.
Included with Impact Twin :
- M40 Studio Reverb
- Assimilator
- ResFilter
- Ableton Live Lite 8 TC Electronic Edition
Impact Twin features:
- Two mic preamps featuring IMPACT III™ Technology
With these two pristine mic preamps you never have to worry about recording quality again - Channel Tools
Quickly and easily optimize the tone of your recordings with Impact Twin’s built-in channel tools - Hi-Z Guitar optimized inputs
Ensure the tone of your guitars is beautifully preserved with two front-panel mounted Hi-Z guitar-optimized inputs - Direct Monitor Reverb
A simple way to add reverb at the monitor stage so the singer can enjoy quality reverb through their headphones - iCheck
The iCheck (Integrity Check) feature provides a shortcut for revealing artifacts of data reduction - essential when encoding mp3 or AAC files - Included plug-ins (M40 reverb, ResFilter, Assimilator)
Impact Twin comes bundled with pristine TC effects processing. The M40 Studio Reverb is based on an algorithm from our acclaimed Reverb 4000 processor. The multi-purpose ResFilter provides ultra-fat filter sound. The Assimilator EQ curve assimilation tool lets you quickly grab an EQ curve from any sound and apply it to your own - Quick compressor access and feedback
Access the crucial compressor setting directly from Impact Twin’s front panel – the light ring instantly shows gain reduction - JetPLL jitter reduction
Everybody talks about analog sound quality, but what about digital? With built-in JetPLL jitter reduction technology, Impact Twin ensures superb audio quality all the way through the device - 192/24 HD Conversion
Impact Twin’s HD Convertors let you select your conversion rate – all the way from 44.1kHz right up to High Definition 192kHz for the ultimate in pristine audio capture, maintaining the essential transients of your sound. - Ableton Live Lite 8 TC Electronic Edition included
Bundled with Impact Twin is Ableton Live Lite 8 TC Electronic Edition - 14/14 I/O (4 analog, 10 digital I/O)
14 ins and 14 outs give the flexibility to record and monitor just about any device you can think of
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Digital Inputs and Outputs
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Connector (S/PDIF)
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RCA Phono, 75 Ohm
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Formats (S/PDIF and TOSLINK)
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S/PDIF (24 bit), IEC 958, Pro-status bits
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Connector (ADAT® or TOSLINK)
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Optical Pipe
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Format (ADAT®)
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8-ch. @ 48 kHz, 4-ch. SMUX @ 96 kHz
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Digital IO Engine
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TCAT DICE II, handling all IO formats
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Clock and Jitter
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Internal Sample Rates
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44.1, 48, 88.2, 96, 176.4 and 192 kHz
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External Sample Rates
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43 to 193 kHz, jitter rejection at all rates
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Jitter Rejection Engine
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JET™ technology in TCAT DICE II
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Jitter Rejection Filter (4th order)
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> 3 dB @ 10 Hz, > 100 dB @ 600 Hz
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DIO Interface Jitter
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< 1 ns peak, BW: 700 Hz to 100 kHz
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AD/DA Conversion Jitter
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< 42 ps RMS, BW: 100 Hz to 40 kHz
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Digital Output Phase (stand-alone and across network)
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< 0.5 % of Sample Period
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Input Slip Sample Tolerance(all DIs)
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+50 % to -50 % of sample period
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Processing Delay DIO @ 96/48 kHz
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0.15/0.3 ms
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Frequency Response DIO
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DC to 23.9 kHz ± 0.01 dB @ 48 kHz
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Line Inputs Ch. 1, 2, 3, 4
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Connectors
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1/4" Phone Jack (balanced)
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Impedance, Bal./Unbal.
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20 kOhm/25 kOhm
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Full Scale Input Level @ 0 dBFS
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+13 dBu
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THD+N
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< -100 dB (0.001 %) @ 1 kHz, -1 dBFS
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SNR
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>111 dB(A), >108 dB, 20 Hz to 20 kHz
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Freq. Response
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+0/-0.5 dB, 20 Hz to 20 kHz
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Crosstalk
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< -100 dB, 20 Hz to 20 kHz
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ADC
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A to D Conversion
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24 bit, 128 x oversampling bitstream
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A to D Delay
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0.68 ms / 0.63 ms @ 44.1 kHz / 48 kHz
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Mic. Inputs Ch. 1, 2
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Connectors
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Neutrik Combo (XLR)
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Sensitivity Full Range Pad on/off
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-10/+10 dBu <> -52/ -32 dBu
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Total Preamp gain
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62 dB
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Impedance, Pad on/off
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2000/1300 ohm
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NF @ Rg = 150 ohm, Max. Gain
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< 4 dB
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EIN @ Rg = 150 ohm, Max. Gain
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< -127 dBu
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THD+N, Min. Gain
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< -100 dB (0.001%) @ 1 kHz, -1 dBFS
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SNR, Min. Gain
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>109 dB(A), >106 dB, 20 Hz to 20 kHz
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48 bit Precision EQ
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Hi Gain
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+/- 12 dB
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Hi Frequency
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200 Hz to 40 kHz
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Hi Bell
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On: 6 dB/oct. shelve / Off: Parametric
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Hi Mid Gain
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+/- 12 dB
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Hi Mid Frequency
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200 Hz to 20 kHz
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Hi Mid Bandwith
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0.10 to 4.0
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Lo Mid Gain
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+/- 12 dB
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Lo Mid Frequency
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20 Hz to 2 kHz
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Lo Mid Bandwidth
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0.10 to 4.0
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Lo Gain
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+/- 12 dB (only available when Lo cut is off)
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Lo Frequency
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20 Hz - 400 Hz
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Lo CUT
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On: Cut / Off: 6 dB/oct. shelve
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Compression/De-Essing
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Compression/De-Essing styles
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"Female Voice", "SoftFemale Voice", "HardMale Voice", "SoftMale "Voice", "Hard", "Guitar", "Bass", "Speak", "Sax", "Trumpet", "Snare", "Percussion", "All purpose"
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Instr. Inputs Ch. 1, 2
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Connectors
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Neutrik Combo (1/4" Phone Jack)
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Sensitivity Range
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-25 dBu <> +17 dBu
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Total Preamp gain
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42 dB
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Impedance
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1 MOhm
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THD+N, Min. Gain
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< -100 dB (0.001%) @ 1 kHz, -1 dBFS
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SNR, Min. Gain
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>107 dB(A), >104 dB, 20 Hz to 20 kHz
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Crosstalk
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< -100 dB, 20 Hz to 20 kHz
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Monitor/Line Outputs Ch. 1, 2, 3, 4
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Connectors
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1/4" Phone Jack. Ground sensing design.
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Impedance
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< 100 Ohm
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Level Range (Ch. 1, 2)
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-40 dBu <> +12 dBu (analog gain scale)
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Fixed Full Scale Range (Ch. 3, 4)
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+12 dBu
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THD+N
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< -94 dB (0.002%) @ 1 kHz, -1 dBFS
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SNR
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>111 dB(A), >108 dB, 20 Hz to 20 kHz
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Freq. Response
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+0/-0.1 dB, 20 Hz to 20 kHz
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Crosstalk
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< -100 dB, 20 Hz to 20 kHz
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DAC
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D to A Conversion
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24 bit, 128 x Oversampling Bitstream
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D to A Delay
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0.70 ms / 0.65 ms @ 44.1 kHz / 48 kHz
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Headphone Outputs
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Connectors
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2 x 1/4" Phone Jack (Stereo)
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Impedance
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80 Ohm
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Gain Level Range
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-80 dBu <> +16 dBu @ 300 ohm (analog gain scale)
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THD+N
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< -94 dB (0.002%) @ 1 kHz, -1 dBFS
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SNR
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>103 dB(A), > 100 dB, 20 Hz to 20 kHz
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Freq. Response
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+0/-0.1 dB, 20 Hz to 20 kHz
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Crosstalk
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< -100 dB, 20 Hz to 20 kHz
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Power @ 40 Ohm Load
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200 mW
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Power @ 600 Ohm Load
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93 mW
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EMC
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Complies With
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EN 55103-1 and EN 55103-2, FCC part 15
Class B, CISPR 22 Class B |
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Certified To
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IEC 60065, EN 60065, UL60065 and CSA
E60065 CSA FILE #LR108093 |
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Environment
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Operating Temperature
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0° C to 50° C
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Storage Temperature
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-30° C to 70° C
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Humidity
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Max. 90 % non-condensing
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Control Interface
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MIDI
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In/Out: 5 Pin DIN
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FireWire (DAW)
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IEEE 1394a, IEC 61883
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General
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Dimensions (W x H x D)
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235.8 x 63 x 241.2 mm
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Weight
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1.5 kg
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Finish
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Acrylic front panel. Plated and coated steel back plate. Rubber coated soft touch cover surrounding metal chassis.
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PPM Meter (Ch. 1, 2)
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3 LEDs per channel
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Mains Power Supply (included)
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12V DC, Adapter for 90 to 240 VAC, 50 to 60 Hz (auto select)
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FireWire bus-powered
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8 to 30 VDC
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Power Consumption
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<14 W
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Warranty Parts and labor
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1 Year
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