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Fantastisk vokalmikrofon på scenen.
High-end mikrofon med neodym-magnet og membran i makrolon.
Ekstremt lav håndstøy og mye gain før feedback.
Spesielt utviklet for pop, rock, blues og hip-hop.
Frekvensgang 35-18kHz
The Beyerdynamic Opus 89 dynamic microphone sounds incredible, plus, it's built for the road! Rock singers will love the fast response, high feedback rejection, and low handling noise of the Beyerdynamic Opus 89. Its sturdy construction, a built-in pop shield, and relatively level proximity effect add up to a handheld live vocal mic you can use anywhere, effectively. A shock-mounted capsule also helps to significantly reduce handling noise. You want maximum control of your onstage gear. Start with the rugged, great-sounding Beyerdynamic Opus 89.
Built tough
Constructed with the road in mind, Beyerdynamic's Opus 89 features a tough barrel design, built-in pop filter to stop plosives, and shock-mounted capsule inside of a strong steel mesh grille. Its extraordinary feedback rejection (courtesy of a hypercardioid pickup pattern) makes this mic ideal for the stage. The Opus 89 is built for the long haul!
Great sound, feedback-resistant
The Opus 89 dynamic microphone gives you transparent sound for live-vocal applications, especially for rock and pop singers. Using the rare-earth Neodymium magnet structure of the TG-X 60 it provides fast transient response. Tailored for vocals, the Opus 89 has a "smoothed" proximity effect, so singing close up or farther away won't bother this mic.
Beyerdynamic Opus 89 Dynamic Microphone Features:
- Hypercardioid polar pattern
- Extremely high volume before feedback
- Vocal tailored frequency response, "smoothed" proximity effect
- Rugged construction to withstand touring damage
- Shock absorbing rubber ring
- Shock-mount system
- The Beyerdynamic Opus 89 dynamic microphone is ready for any stage!
Transducer type . . . . . . . . . . . . . . . . . . . . . . Dynamic
Operating principle . . . . . . . . . . . . . . . . . . . Pressure gradient
Frequency response
Close miking . . . . . . . . . . . . . . . . . . . . . . 35 - 18,000 Hz
Distant miking . . . . . . . . . . . . . . . . . . . . 125 - 18,000 Hz (measured at 1 metre)
Polar pattern . . . . . . . . . . . . . . . . . . . . . . . . Hypercardioid
Rear attenuation at 1 kHz . . . . . . . . . . . . . > 25 dB at 110°
Open circuit voltage
at 1 kHz (0 dB = 1V/Pa) . . . . . . . . . . . . . . . . 3 mV/Pa = -50 dB
Magnetic field suppression. . . . . . . . . . . . . > 20 dB at 50 Hz
Nominal output impedance . . . . . . . . . . . . 280 Ω
Load impedance . . . . . . . . . . . . . . . . . . . . . ≥ 1000 Ω
Diaphragm . . . . . . . . . . . . . . . . . . . . . . . . . . Macrolon®
Case/finish. . . . . . . . . . . . . . . . . . . . . . . . . . . Die casting, black mat
Connection . . . . . . . . . . . . . . . . . . . . . . . . . . 3-pin XLR male
Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . Length: 205 mm
Head diameter: 50 mm
Weight without cable . . . . . . . . . . . . . . . . . 345 g
