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Daking Mic Pre One 1-kanals mikrofonforsterker gir deg "boutique"-kvalitet og flott lyd til ditt studio til en svært attraktiv pris. Mic Pre One er en klasse-A løsning med diskrete transistor-kretser, samme som man finner i Daking's Mic Pre IV,. Videre har den variabelt høy-pass filter. Fasevender, 20dB Pad, ekte fantomspenning og mulighet for DI/instrument-inngang på fronten. Alt sammen til fornuftig pris og super-profesjonell lydkvalitet. Visste du forresten at Daking er et hett navn i de beste studiokretsene i Nashville og Los Angeles? Det sier jo litt...
Daking Mic Pre One 1-channel Class A Microphone Preamp at a Glance:
- Plenty of options
- Simple layout, complete control
- The Daking story
Plenty of options
Essentially a single channel of the Mic Pre IV, the Mic Pre One features switchable phase, 20dB mic input pad and +48V phantom power, plus a selectable 1/4-inch line/hi-Z instrument input, all utilizing relays with gold bi-furcated contacts.
Simple layout, complete control
Two large knurled aluminum knobs control the variable high-pass filter (0-200Hz) and continuously variable input gain, which is complemented by a full-width, twenty-segment bi-color LED meter. The rear of the unit offers a Jensen transformer-isolated mic input and fully-balanced XLR output, plus a 1/4-inch line output. A fourth connector introduces DC power from the external power supply to the unit.
The Daking story
Having broken into the music industry as the drummer for '60s psychedelic band the Blues Magoos, Geoff Daking went on to truly make his mark designing and building boutique-quality studio gear. His company's latest offerings not only look classic, sound great, and perform solidly - you'll be knocked out by their decidedly non-boutique prices. Daking puts a premium on putting quality components at the heart of his gear, from circuits to transformers to amplifiers, while implementing modern techniques to ensure reliable, consistent performance.
Daking Mic Pre One 1-channel Class A Microphone Preamp Features:
- Transformer balanced input, electronically balanced output
- Instrument Input on front
- All discrete transistor circuitry
- Class "A" amplifier
- Continuously variable gain control
- Continuously variable high-pass filter control
- 20-segment VU meter
- All relay switching w/gold bi-furcated contacts
- Switched +48v phantom power
- 20dB pad on mic input
- Stainless steel construction for noise immunity
- Aluminum knobs
- Power supply included
- Transformer balanced input
- THAT Corporation differential amp output
- All discrete transistor circuitry
- Class "A" amplifiers
- Continuously Variable Gain Control for quick, accurate recall
- 20 Segment vu Meter (-20 to +25)
- +23dB Peak indicator
- All relay switching w/gold bi-furcated contacts
- Switched +48 Volt Phantom power
- 20dB pad on mic input
- Stainless steel construction for noise immunity
- Aluminum knobs
- Power supply included
- Output level control before last stage of gain
- 75dB gain
Variable Hi-pass filter. Sexy?
In addition, because the home recordist faces challenges that the professional studio owner does not, the Mic-Pre One features a powerful continuously variable high-pass filter with a range of 10-200Hz @ 12db per octave
Big studios have big monitors, good isolation and quiet air conditioning. Also, if you are recording to tape at 30ips, you cannot record below 40Hz.
Small studios usually have small monitors that don't reproduce very low frequencies well, have little or no isolation and poor ventilation. Modern digital recorders will easily record 10Hz. Because of this, many home recordings are filled with low frequency rubbish that clouds, clutters and takes up space in the mix.
The High Pass Filter in the Mic-Pre One is a powerful tool. The Filter allows the recordist to eliminate unwanted low frequency trash before it enters the signal chain without affecting the program material. This can be a giant step toward making the home record more professional.
