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Presonus StudioLive 24.4.2 og 16.4.2 endret alt hva gjelder ytelse og brukervennlighet for en god pris. Nå har vi pakket den samme lydkvaliteten, ytelse, sømløst integrert programvare (inkludert fjernkontrollen) inn i en mindre, enda rimeligere pakke.
Liten størrelse. Større muligheter.
I et "fotavtrykk" på mindre enn 2 kvadrat fot (0,19 m2), den kompakte, 16-kanals StudioLive 16.0.2 tilbyr 8 mono input kanaler og 4 stereo kanaler og gir 12 Xmax ™ klasse A solid-state mic preamper. (Vel, den har faktisk 13 Xmax preamper, Talkback input har det, også.)
Men ikke la størrelsen lure deg, 16.0.2 er fullpakket med funksjoner og prosessorkraft, benytter den samme arbeidsflyten og lett-å-bruke designet som de større StudioLive mikserne, og høres like bra ut , med samme high-definition, wide-dynamisk-range, digital konvertere.
Mer enn en mikser: et integrert system.
StudioLive 16.0.2 integrerer et 16x16 FireWire-grensesnitt og leveres med Capture, StudioOne Artist innspilling og produksjon software, og Virtual StudioLive, toveis kontroll programvare, og det fungerer bra med Presonus sine gratis SL Remote iPad og iPhone kontroll apps.
StudioLive 16.0.2 's Fat Channel er godt fylt med kompressorer, limitere, gater, phase shifter, high-pass filter, og 3-bånds semi-parametrisk EQ. To stereo, 32-bit floating-point effekter prosessorer gir deg delay og reverb effekter.
Presonus sin første kompakt mikser med MIDI-kontroll fra en footpedal.
MIDI inn og ut. Man kan styre mikseren via en fotpedal og hente inn og ut effekter via et pedalbrett eller midikommandoer fra hvilken som helst DAW applikasjon.
Du kommer til tro på StudioLive sine familieverdier. Og du vil forstå hvorfor StudioLive 16.0.2 er den mest spennende nye, små-format digital mikser i universet.
Pan med dedikert 15-LED display. Stereo link for input kanaler og aux buses High-pass filter, 31-bånds stereo grafisk EQ 16 -in/16-out FireWire Opptaksgrensesnitt (24-bit/44.1 kHz og 48 kHz) Kompatibel med de fleste lyd-programvare via ASIO, Windows Audio, Core Audio. Scene lagring og recall Settings kan kopieres blant kanaler og effekter.
Funksjoner
- 12 X-max mikrofoninnganger (evt. 8x-max + 4 stereo linjeinnganger.)
- 2 digitale effektprossessorer, direkte hentet fra storebrødrene sine.
- Firewire tilkobling og midi-interface gjør den klargjort for både studio og scene.
- Capture softwaren som følger med gir mulighet for full multitrackrecording og StudioLive Artist softwaren gir uendelige redigeringsmuligheter.
- StudioLive Universal Control gir full monitorering over mikserens innstillinger og kan linkes trådløst videre til full kontroll via iPad/iPhone.
- På hver kanal finner man både EQ, kompressor og Gate.
- Det er 4 auxer med egne masterfaders.
- Talkback inngang med egen x-max preamp.
Meet the StudioLive 16.0.2!
Our StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. Now we’ve packed the same audio quality, performance, seamlessly integrated software (including remote control) into a smaller, even more affordable package.
Small size. Bigger possibilities.
In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.)
The XMAX™ Class A preamplifiers have three key advantages:
- 1. High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
- 2. Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors for ultra-low noise and transparency. Op-amps add noise, coloration, and harshness to a signal.
- 3. Class A circuitry. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps.
The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency, with smooth highs; solid, deep lows; and everything in between.
But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.
More than a mixer: an integrated system.
The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture™, Studio One Artist™ recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps.
130 quality signal processors at your fingertips.
The 16.0.2's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects.
Our first compact mixer with MIDI control from a footpedal.
Moreover, a glance at the rear panel reveals that "Junior" offers something the two bigger boards don't: MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control.
What was then is now: complete store and recall.
Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation.
StudioLive solves this problem by letting you save all of your digital settings for quick setup and recall.
Features:
- 8 mono mic/line channel inputs, each with:
- High-headroom Class A XMAX™ mic preamplifier
- XLR mic and balanced ¼" line inputs
- 60 mm precision fader
- 4 stereo line channel inputs, with:
- High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)
- XLR mic inputs (Ch. 9, 11, 13, and 15)
- Balanced ¼" line inputs (Ch. 9-16)
- Unbalanced RCA line inputs (Ch. 13-16)
- 60 mm precision fader (4 stereo)
- 4 Auxiliary buses (pre/post-fader send)
- 2 Internal FX buses
- 2 stereo 32-bit digital effects processors with customizable reverb and delay presets
- Fat Channel signal processing on all channels and buses, with:
- 3-band semi-parametric EQ (individual band on/off)
- Full-featured compressor
- Standard downward expander
- Limiter
- Phase reverse (12 mic preamplifiers only)
- Pan with dedicated 15-LED display
- Stereo link for input channels and aux buses
- High-pass filter
- One 31-band stereo graphic EQ (on main outputs only)
- 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
- Compatible with most audio software via ASIO, Windows Audio, Core Audio
- Scene store and recall
- Settings can be copied among channels and buses and saved as user presets.
- Software bundle for Mac® and Windows® includes:
- PreSonus Studio One Artist™ digital audio workstation
- PreSonus Capture™ live-recording software
- PreSonus Universal Control with Virtual StudioLive™ bidirectional mixer-control software
- Lockout mode protects your settings from meddlers and accidents
- MIDI Control Mode provides control over:
- Scene and FX Preset recall
- Main Volume, FXA, and FXB output levels
- FXA and FXB assign/unassign to Mains
- Free StudioLive Remote iPad® wireless-control software available at the Apple App Store
| Microphone Preamp | ||
| Type | XLR Female, Balanced | |
| Frequency Response to Direct Output (at unity gain) | 20 Hz-40 kHz, 0 / -0.5 dBu | |
| Frequency Response to Main Output (at unity gain) | 20 Hz-20 kHz, ± 0.5 dBu | |
| Input Impedance (Balanced) | 1 kΩ | |
| THD to Direct Output (1 kHz at unity gain) | < 0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd | |
| THD to Main Output (1 kHz at unity gain) | 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd | |
| EIN to Direct Output | +125 dB unwtd, +130 dB A-wtd | |
| S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | -97 dB | |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | -94 dB | |
| Common Mode Rejection Ratio (1 kHz at unity gain) | +65 dB | |
| Gain Control Range (± 1 dB) | -16 dB to +67 dB | |
| Maximum Input Level (unity gain) | +16 dBu | |
| Phantom Power (± 2 VDC) | +48 VDC | |
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| Line Inputs, Balanced | ||
| Type | 1/4" TRS Female, balanced mono | |
| Frequency Response to Direct Outputs (at unity gain) | 10 Hz-40 kHz, 0 / -0.5 dBu | |
| Frequency Response to Main Outputs (at unity gain) | 20 Hz-20 kHz, 0/-0.5 dBu | |
| Input Impedance |
10 kΩ |
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| THD to Direct Output (1 kHz at unity gain) | <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd | |
| THD to Main Output (1 kHz at unity gain) | <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd | |
| S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) | -105 dB | |
| S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) | -94 dB | |
| Gain Control Range (± 1 dB) | -20 dB to +20 dB | |
| Maximum Input level (unity gain) | +22 dBu | |
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| Line Inputs, Unbalanced | ||
| Type | RCA Female, unbalanced (stereo pair) | |
| Maximum Input Level | +22 dBu | |
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| Main Outputs | ||
| Type | XLR Male, balanced (stereo pair); 1/4” TRS Female, balanced (stereo pair); | |
| Rated Output Level | +24 dBu | |
| Output Impedance | 10 kΩ | |
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| Aux Outputs | ||
| Type | 1/4” TRS Female, balanced (mono) | |
| Rated Output Level | +18 dBu | |
| Output Impedance | 51Ω | |
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| Monitor Outputs | ||
| Type | 1/4” TRS Female, balanced (stereo pair) | |
| Rated Output Level | +18 dBu | |
| Output Impedance | 51Ω | |
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| System Cross Talk | ||
| Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) | -90 dBu | |
| Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) | -87 dBu | |
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| Noise Gate (Expander) | ||
| Threshold Range | -84 dB to 0 dB | |
| Attack Time | Adaptive (0.2 - 2.5 ms) | |
| Release Time | 70 ms | |
| Expander Attenuation Range | 2:1 | |
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| Compressor | ||
| Threshold Range | -56 dB to 0 dB | |
| Ratio | 1:1 to 14:1 | |
| Response Time (Attack/Release | 0.2 ms / 1.0 s (“Tight”) to 180 ms/1.0 s (“Smooth”) | |
| Auto Attack and Release | Attack = 10 ms, Release = 150 ms | |
| Curve Types | hard and soft knee | |
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| EQ | ||
| Type | 2nd - order shelving filter (Q = 0.55) | |
| Low (Low-pass or Bandpass) | 36 to 465 Hz, ± 15 dB | |
| Mid | 26 Hz to 3.5 kHz, ±15 dB | |
| High (High-pass or Bandpass) | 1.4 kHz to 18 kHz, ±15 dB | |
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| Digital Audio | ||
| ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB | |
| DAC Dynamic Range (A-wtd, 48 kHz) | 118 dB | |
| FireWire | S400, 400 Mb/s | |
| Internal Processing | 32-bit, floating point | |
| Sampling Rate | 44.1, 48 kHz | |
| A/D/A Bit Depth | 24 bits | |
| Reference Level for 0 dBFS | -18 dBu | |
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| Clock | ||
| Jitter | <20 ps RMS (20 Hz - 20 kHz) | |
| Jitter Attenuation | >60 dB (1 ns in ≈ 1 ps out) | |
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| Power | ||
| Connector | IEC | |
| Input-Voltage Range | 90 to 240 VAC (factory-configured for country of destination) | |
| Power Requirements (continuous) | 100 W | |
Computer system requirements:
Below are the minimum computer-system requirements for your StudioLive 16.0.2.
Windows
- Windows 7, Vista, XP (32-bit and 64-bit)
- Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion) (2.5 GHz or faster recommended)
- 1 GB RAM (2 GB or more recommended)
Macintosh
- Mac OS X 10.5.2 or later (32-bit and 64-bit)
- PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended)
- 1 GB RAM (2 GB or more recommended)
Windows and Macintosh Systems
- IEEE 1394 FireWire 400 Port
- Internet connection recommended
- DVD-ROM drive
- Internal or external 7200 RPM storage drive highly recommended
