Procom music logo

G√• til hovedinnhold »

Søk i nettsted

Du er nå her:

Softube Trident A-Range EQ

EQ Plug-in basert på Trident A-Range Console

Softube Trident A-Range EQ
Varenr.: 102937
Lagerstatus: På lager
kr 1 295 inkl. mva. kr 1 036 eks. mva.
Legg varer i handlekurven
Flere Bilder Bookmark and Share

Lyden av Trident EQ i en plug-in!
Noen miksepulter har den egenskapen at uansett hva du sender igjennom, så kommer det ut på andre enden med tryllestøv på. En av de mikserne er Trident A-Range, som de kun bygget 13 stykker av. Nå har Softube vært i Sweet Silence Studio i Danmark og "hentet ut" EQ-en fra kanal 15 og gjort det tilgjengelig for oss alle. Listen av legendariske innspillinger som er gjort på Triden A-Range er lang og inneholder bl.a. David Bowies "Ziggy Stardust", Metallicas "Master of puppets", Queen, Elton John... listen er lang og snart står du på den også.

NB! Dette produktet krever iLok2 nøkkel. Hvis du ikke har,  kan du finne det under tilbehør på denne siden.

OBS! Dette er ikke en fysisk produkt, men kun et serienummer. Ingen frakt kommer i tilegg på dette produktet hvis du betaler med kort og velger "Kun lisens på frakt". (Du laster ned selve innholdet selv, når pakken er registrert på Softube  sin nettside.)

The Trident A-Range is a legendary piece of equipment. As only thirteen A-Range consoles were ever made, it remains a holy grail for sound engineers and producers around the world that hope to create works of art equal to those that were originally recorded on the A-Range — David Bowie's Ziggy Stardust, Queen, Elton John, the list goes on...

The A-Range plug-in from Softube is the first and only native  plug-in that has been fully endorsed by original designer Malcolm Toft and Trident Audio.

The plug-in is a model of a channel on one of the original 13 Trident A-Range consoles. We chose to model channel 15 from the console at Sweet Silence Studio 'B' in Denmark, producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo and rhythm guitars on Metallica's "Ride The Lightning" and "Master of Puppets", and Ritchie Blackmore's guitar on the Rainbow albums "Difficult to Cure" and "Bent out of Shape".

The A-Range channel features four bands of equalization and high and low pass filters. The sound of the bands is often referred to as "colorful" and "musical". When running a hot enough signal through the original unit and boosting the bands, it is possible to get it to distort, the result is a hairy and effective saturation that is just right in some situations, and just wrong in others!

Features

 

  • Created together with original designer Malcolm Toft
  • Each and every component carefully modeled
  • Same sweet sounding EQ filters that made the original legendary
  • Interaction between the different bands, making this equalizer one of its kind
  • Saturation control
  • Very CPU friendly
     

Controls

Authentic User Interface
An authentic aubergine color (well, as good as it gets on a computer screen...) and the exact same controls as the real thing (okay, we added the Saturation and the Output volume). And then we removed a couple of controls that weren't relevant for computer recording. All right, we changed a few things — but it still looks good!

This is a photo of the real channel 15 from the desk at Sweet Silence Studios. They changed the original fader handles from dark gray to bright yellow and replaced the original mute flip switch with a big red button.

Saturation

The distortion of the original desks is of course captured by the plug-in. Instead of using an input volume to drive the signal, we chose to use a Saturation knob instead — so that you don't have to compensate the Output volume all the time.

Just set the Saturation to OFF if you don't need it, which will also make the native version more CPU efficient.

Four bands of equalization

Four extremely musical bands of equalization. Each band has four selectable frequencies carefully chosen by well renowned producer and designer Malcolm Toft for the consoles at legendary Trident studios in London.

Top and bottom bands have shelving character while the mid filters are bell shaped.

Developed by Softube and Trident

The Trident A-Range plug-in was developed by Softube in co-operation with Malcolm Toft and Trident.

Low and High Pass filters

The ultimate problem solver. Make sure to use these a lot. If you need even more filtering, just press multiple buttons.


"When I tried the Softube Trident A-Range equaliser plug-in for the first time, a big smile came upon my face. It was just like getting my desk back again. It sounds exactly as I'm used to hearing the eq."
Flemming Rasmussen
Producer, Mixer, Engineer
(Metallica, Morbid Angel, Blind Guardian etc.)

"I am pleased to say that this is an incredibly accurate software recreation of my original A-Range design."

Professor Malcolm Toft
Original designer of the A-Range console at Trident Audio Developments

System Requirements

Native version

  • Fully compatible with 64-bit DAW's!
  • Mac OS X 10.5 or higher, Windows XP (32-bit only), Windows Vista, Windows 7
  • Mac: Intel processor
  • Windows: CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
  • 1 GB RAM
  • Minimum screen resolution: 1024x768 pixels
  • Any VST, VST3, AudioUnits, AAX, or RTAS compatible host application
  • Pro Tools: version higher than 7.0
  • iLok USB key and the latest Pace Interlok drivers

  Martha Berner - Fool's Fantasy
  Martha Berner - Fool's Fantasy (unprocessed)
 

Full song - "Fool's Fantasy" by Martha Berner (www.myspace.com/marthaberner) from the upcoming full length CD "Fool's Fantasy". Produced and mixed by Scott "Fritzy" Fritz

"I used the Trident as a Pultec style mastering EQ - combined with some saturation, this really adds some mojo to the 2 buss. The settings are +2.5 db 15k for some air, +2db 100 hz for added bass note clarity/kick separation. Saturation between 1 and 2 o'clock"

  A-Range on Drums 1

Both clips level matched, first 12 seconds unprocessed, the second half with the following EQ settings:
3 dB boost at 10 kHz, 3 dB boost at 50 Hz, Saturation set at just over 1 o'clock

  A-Range on Drums 2

Both clips level matched, first 12 seconds unprocessed, the second half with the following EQ settings:
1.5 dB boost at 15 kHz, 2 dB boost at 3 kHz, 1 dB cut at 500 Hz, 7 dB boost at 50 Hz, Saturation at 2 o'clock

  A-Range on Drums 3

Sample 3 - both clips level matched, first 12 seconds unprocessed, the second half with the following EQ settings:
4.5 dB boost at 12 kHz, 2.5 db boost at 1 kHz, 2 db boost at 50 Hz, Saturation between 3 and 4 o'clock

  Lead Vocals (EQ'd with preset "Male Vocals")
  Lead Vocals (Unprocessed)

Original unprocessed samples were taken from the Steve Chambers song "Compass", recorded by Scott "Fritzy" Fritz of Stranded On A Planet Productions. All rights reserved.

  Acoustic Guitar (EQ'd with preset "Acoustic Guitar")
  Acoustic Guitar (Unprocessed)

Original unprocessed samples were taken from the Steve Chambers song "Compass", recorded by Scott "Fritzy" Fritz of Stranded On A Planet Productions. All rights reserved.