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Presonus DigiMax DP88

8-kanals 24 bit 96kHz mikrofon-forsterker som kan fjernstyres

Presonus DigiMax DP88
Varenr.: 109831
Lagerstatus: Fjernlager
kr 7 750 inkl. mva. kr 6 200 eks. mva.
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8-kanals A/D/A-konverter med digitalt kontrollerte analoge XMAX preamps som kan fjernstyres
I mer enn et tiår har man kunnet finne Digimax-serien i utallige studioer rundt omkring i verden. Digimax DP88 er det nyeste tilskuddet i serien, og tilbyr digitalt kontrollerte, analoge preamps og uovertruffen digital konvertering med opp til 96 kHz. DP88 har alle typer tilkoblinger, fleksibilitet og profesjonell lydkvalitet.

Digimax DP88 er utstyrt med Burr-Brown kvalitetskonvertere som leverer noe av det beste innen analog-digital konvertering. Disse konverterne gir et 118 dB dynamisk område og bruker en klokke med sub-50 picosecond jitter, og kan slik fange kompleksitet og musikalske overtoner jevnt og naturlig. Du vil høre hvert minste åndedrag, transienter og detaljer i opptakene dine. Digimax DP88 har åtte digitalt kontrollerte analoge og XMAX-preamps, som hver enkelt gir høyt headroom, lav støy, stort dynamisk område og utvidet frekvensområde. Xmax' musikalitet og transparente lyd har gjort dette designet til en industristandard.

De allsidige inn- og utgangene gjør det enkelt å bruke Digimax DP88 i alle studiosammenhenger. Inngangene benytter XLR eller DB25-kontakter. 8 direkte, analoge-til-digitale linjeinnganger er tilgjengelige via DB25, så du kan koble til alle enhetene dine samtidig. 8 balanserte DAC-utganger er forsynt via DB25, slik at du kan utvide antallet utganger på lydkortet for bruk av forskjellige monitorer. Du får også 9 balanserte direkte utganger via DB25 og 8 kanaler via ADAT/dual SMUX optisk I/O opp til 96 kHz.

Nøkkelfunksjoner:

  • Analogt signal med 118 dB dynamisk område
  • 8 digitalt kontrollerte Xmax preamps med individuell phantom power
  • Styres fra frontpanelet eller via MIDI
  • Kan styres fra UC Surface og Studio One 3 når tilkoblet til en PreSonus Studio 192
  • 8 balanserte, direkte A / D line-level innganger (DB25)
  • 8 balanserte DAC-utganger (DB25) for å utvide lydkortets utganger
  • 8 balanserte direkte utganger (DB25)
  • 8 kanaler ADAT optisk I/O med 24-bit oppløsning og opp til 96 kHz sampling rate
  • Input Metering
  • Ekstern clock-SOURCE SELECT (ADAT eller BNC) - BNC Word Clock I/O
  • MIDI I/O

A legend remade.
For more than a decade, DigiMax-series preamp/converters have been relied on in countless recording studios worldwide. The DigiMax DP88 is the latest innovation in the DigiMax line, offering digitally controlled, analog preamps and unmatched digital conversion up to 96 kHz. Like its predecessors, the DigiMax DP88 provides the connectivity, flexibility, and professional sound quality to make it a perfect fit in any studio environment.

The DigiMax DP88 provides professional sound quality and features previously unavailable in its class:

  • Flawless analog signal path with top-quality 118 dB digital conversion
  • 8 digitally controlled XMAX mic preamps with individual phantom power
  • Controlled from front panel and remotely via MIDI
  • Controlled from UC Surface and Studio One 3 when connected to a PreSonus Studio 192
  • 8 balanced, direct A/D line-level inputs (DB25)
  • 8 balanced DAC outputs (DB25) to expand your interface outputs
  • 8 balanced, direct outputs (DB25)
  • 8 channels of ADAT optical I/O with 24-bit resolution and up to 96 kHz sampling rate
  • Input metering
  • External clock-source select (ADAT or BNC)
  • BNC word clock I/O
  • MIDI I/O


A smooth trip from analog to digital.
The DigiMax DP88 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 96 kHz. These converters provide 118 dB of dynamic range and are backed by a boast-worthy clock with sub-50 picosecond jitter to capture complex musical harmonics smoothly and naturally. You’ll hear every breath, transient, and detail of a performance in your recordings. 

XMAX preamps, now with remote control.
The DigiMax DP88 includes eight digitally controlled, analog XMAX™ preamps, each providing high headroom, low noise, wide dynamic range, and extended frequency response. The resulting musicality and transparency made this design an industry favorite. In 1995, PreSonus patented digital control over analog circuits for our first product. Building on this legacy, we created a separate digital volume-control circuit ahead of our award-winning analog XMAX preamp design, providing the convenience of digital recall without sacrificing fidelity.

At PreSonus, we know that the mic preamplifier is a key component in the sonic quality of a recording. The DigiMax DP88 includes custom-designed, high-voltage, discrete, XMAX Class A microphone preamplifiers that compliment every microphone.

XMAX preamplifiers are built with three key elements:

  • High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
  • Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency.
  • Class A. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps.


The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency, with smooth highs, solid deep lows, and everything in between.

A natural extension for the Studio 192 Studio Command Center.
Although the DigiMax DP88 is the perfect companion for any audio interface with ADAT I/O (see DP88 Benefits and Compatibility Chart), it was designed to seamlessly extend the analog I/O on the PreSonus Studio 192 studio command center. When the DP88 is connected to a Studio 192 via ADAT, its eight XMAX™ analog preamps are fully remote-controllable from PreSonus’ Studio One® 3 DAW and from PreSonus UC Surface control software, extending the Studio 192 analog inputs sonically and functionally.

Easy MIDI control.
While we can’t provide the same level of integration with every audio interface as we can with the Studio 192, the DigiMax DP88 is equipped with MIDI I/O for easy remote control from anywhere. By using simple MIDI CC messages to control level, phantom power, and direct ADC input, the DigiMax DP88 fits into any DAW environment. Simply connect it to your MIDI interface, enable it as a MIDI device in your DAW, and start remote controlling your preamps and recalling preamp settings with your audio sessions.

Flexible I/O makes setup a snap.
Flexible rear-panel I/O makes it easy to incorporate the DigiMax DP88 into any studio environment. Access the preamps using XLR or DB25 connections. Eight direct, analog-to-digital, line-level inputs are available on DB25 and can be accessed per channel with a front-panel button, allowing you to keep all of your gear connected at the same time. Eight balanced DAC outputs are provided via DB25 so you can expand your interface’s outputs for monitor mixes or speaker switching. You also get eight balanced direct outputs on DB25 and eight channels of ADAT/dual SMUX optical I/O up to 96 kHz.

The new legend.
The DigiMax DP88 provides professional sound quality and features previously unavailable in its class: Eight digitally-controlled, Class A microphone preamps; top-quality Burr-Brown converters with 118 dB of dynamic range; a boast-worthy digital clock with sub-50 picosecond jitter; and flexible connection options. Like the original DigiMax and its predecessors, the DigiMax DP88 is sure to be the new standard for eight-channel converters.

Wether you want to expand your analog I/O or add additional high quality remote preamps, the DigiMax DP88 is the ideal companion product for any audio interface with ADAT I/O. Check out the benefits provided by adding the DP88 to these popular interfaces. 

Compatibility:

Antelope Audio Zen Studio

  • DP88 expands the analog I/O to 16x16
  • DP88 adds 8 additional high-quality remote preamps
  • DP88 provides the same DB25 analog connection type as the interface


Apogee Ensemble

  • DP88 expands the analog I/O to 16x16
  • DP88 adds 8 additional high-quality remote preamps
  • DP88 provides the same DB25 analog output connection type as the interface


Audient iD22

  • DP88 expands the analog I/O to 10 x 14
  • DP88 adds 8 additional high-quality remote preamps
     

Focusrite Clarett 8Pre or 8Pre X

  • DP88​ expands the analog I/O to 16x16
  • DP88​ adds remote preamps to an interface that doesn’t provide recall


Focusrite Saffire Pro 40

  • DP88 expands the analog I/O to 16x16
  • DP88 adds remote preamps to an interface that doesn’t provide recall
  • DP88 provides improved analog-to-digital conversion


MOTU 828x

  • DP88​ expands the analog I/O to 16x16
  • DP88​ adds 8 more high-quality remote preamps


MOTU 1248

  • DP88​ expands the analog I/O to 16x16
  • DP88​ adds 8 more high-quality remote preamps
  • DP88​ direct outputs can also be used to connect to line inputs


PreSonus AudioBox 1818VSL

  • DP88 expands the analog I/O to 16x16
  • DP88 adds remote preamps to an interface that doesn’t provide recall
  • DP88 offers improved analog-to-digital conversion


PreSonus Studio 192

  • DP88 expands the analog I/O to 16x16
  • DP88 adds 8 additional high-quality remote preamps
  • DP88 preamp controls are completely integrated into Studio One and UC Surface


RME Fireface UC

  • DP88​ expands the analog I/O to 16x16
  • DP88​ adds 8 more high-quality remote preamps


RME Fireface UFX

  • DP88​ expands the analog I/O to 16x16
  • DP88​ adds additional analog outputs (only 6 + mains onboard)


Universal Audio Apollo

  • ​DP88​ expands the analog I/O to 16x16
  • DP88 adds 8 high-quality remote preamps

Microphone Preamp (XLR Balanced)

Type XLR Female & DB25 Female, Balanced Remote
Maximum Input level (min gain, 1 kHz @ 0.5% THD+N) +12 dBu, ±0.5 dB
Gain Control Range 60 dB, ±1 dB
Frequency Response (A-D) 10 Hz to 40 kHz, ±0.2 dB
Dynamic Range (min. gain, A-weighted) > 110 dB
Dynamic Range (mid. Gain, unwtd) > 105 dB
THD+N (min. gain, a-wtd) < 0.005%
Input Impedance 1600 Ω
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-weighted) < -128 dBu
Common Mode Rejection Ratio (1 kHz, +55 dB gain) > 55 dB
Phantom Power +48V,  ±3V, > 8 mA per channel

 

Line Inputs

Type DB25 Female, Balanced
Maximum Input Level (min. gain, 1 kHz @ 0.5% THD+N) +22 dBu, ±0.5 dB
Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB
Dynamic Range (min. gain, A-weighted) > 114 dB
Dynamic Range (mid. gain, unweighted) > 105 dB
THD+N (1 kHz, -1 dBFS, A-weighted) < 0.005%
Input Impedance 10 kΩ
Crosstalk (1 kHz, channel-to-channel) < -80 dB

 

ADC Direct Line Inputs

Type DB25 Female, Balanced
Maximum Input Level (min. gain, 1 [email protected]% THD+N) +22 dBu, ±0.5 dB
Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB
Dynamic Range (min. gain, A-weighted) > 118 dB
Dynamic Range (mid. gain, unweighted) > 105 dB
THD+N (1 kHz, -1 dBFS, A-weighted) < 0.005%
Input Impedance 10 kΩ
Crosstalk (1 kHz, channel-to-channel)  < -80 dB

 

DAC Outputs

Type DB25 Female, Balanced
Maximum Output Level +24 dBu, ±0.5 dB
Frequency Response 20 Hz to 20 kHz, ±0.2 dB
Dynamic Range (A-weighted) > 120 dB
THD+N (1 kHz, -1 dBFS, un-weighted)  < 0.005%
Output Impedance 51 Ω
Crosstalk (1 kHz, channel-to-channel) < -80 dB

 

Digital Audio

Connection Type ADAT / Dual SMUX
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
Bit Depth 24 bits
Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz

 

Clock

Jitter <50 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation >60 dB (1 ns in => 1 ps out)

 

Signal Level LEDs

Signal 1 -50 dBFS
Signal 2 -30 dBFS
Signal 3 -20 dBFS
Signal 4 -10 dBFS
Signal 5 -6 dBFS
Signal 6 -4 dBFS
Signal 7 -2 dBFS
Clip -0.5 dBFS