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Tube-Tech CL1B

1 kanals rør-kompressor fra Danmark!

Tube-Tech CL1B
Varenr.: 102046
Lagerstatus: Best. vare
kr 36 680 inkl. mva. kr 29 344 eks. mva.
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CL 1B er en rørbasert en kanals kompressor beregnet for alle typer studioopptak: Fra delikat vokal, til krevende instrumenterer som gitar, trommer, etc.Gjennom årenes løp, og på tusenvis av spor, har CL 1B bevist sin verdi ved å tilføre de mest krevende opptak den ettersøkte varme ”vintage” lyden.

I CL 1B sitter det ett gain reduksjons element rett etter inngangs transformatoren. Denne er kontrollert via "sidechain" forsterkeren,  som også inneholder de to tidskontroll kretsene - en for satte og en for variable "Attac/Release" verdier.  De to  tidskontroll kretsene kan enten bli brukt hver for seg, eller kombinert (Fixed / Fix./Man / Manual) Kretsen består av "semiconductor OP-forsterkere for full kontroll.

Throughout the years and many thousands of track recordings, the CL 1B has proven its value by adding it's famous, clean musical compression without any negative sideeffects at all.

The TUBE-TECH CL 1B Compressor is an optical, all tube based compressor targeted at single-track studio recordings: It is equally suited for delicate vocal recordings as well as critical instrument recordings such as lead guitar, drum solos etc.

The TUBE-TECH CL 1B Compressor features a gain-reduction element, positioned immediately after the input transformer. It is controlled by the sidechain amplifier, which also contain the two time control circuits – one for fixed and one for variable Attack/Release. The two time-controllers can either be used separately or combined. This circuit contains semiconductor OP-amps for the entire control.

The gain-reduction element is followed by a tube-based push-pull amplifier with variable gain up to 30 dB. A dedicated Bus selector with three positions (Off, Bus 1, Bus 2) is used whenever you want to link several compressors together. Input and output transformers have a static-screen between the primary and secondary wirings. Both Input and Output are balanced as well as fully floating.

A quote from many engineers, musicians and producers:
Why is that? Maybe because the CL1B delivers the cleanest compression in the business. It's extremely easy to use and it's close to impossible to make it sound bad. Critical sources like vocal and bass benefits from the CL1B's smooth action that makes anything fit into the track without getting muddy or squashed. Comments from users show, that the CL1B is one of the most versatile compressors available today and it has been so, for the last more than 20 years.

CL1B Selected User Statements

Josh Gudwin - Engineer and Mixer currently residing in Los Angeles. 

Kuk Harrell - 4 time Grammy Award Winner.  Vocal Prodcer, Songwriter & Engineer.

Statement from 2011: 

"For the last 2 years, I''ve been working with 4 time Grammy Award Winner Kuk Harrell who is today''s most in demand Vocal Producer.

Together, we''ve cut hundreds of records with a who''s who list of clients to include: Justin Bieber, Rihanna, Mary J Blige, Jennifer Lopez, Jessica Simpson & Lionel Richie.

Out of All these Sessions, I can say with truth and honesty, that each and every one of these vocals passed thru a Cl1B before reaching Pro Tools.  I find that the CL1B has the most flexibility, transparency and funtionality out of any compressor on the market.
Wrapping up last year (2010), Kuk and I flew out to Stratford, Canada to wrap up the loose ends on Justin''s ''Never Say Never'' blockbuster.  Along with a 1081& my Rosetta 200, I also  lugged along a CL1B! I never record vocals without it!!

I wanted you to be aware of my love for the CL1B and to share that it''s being used on today''s Top40 artists on a daily basis!

We are currently working with Justin Bieber & Rihanna.  You better believe those vocals are passing through your compressor!"

Colin Heldt Dark Horse Recording Franklin, TN

"We have two of the Tube-Tech CL1B''s here and use them in nearly every session. They are unbeatable on Vocals. I also love them on Acoustic Guitar and Piano. "   

Fred Remmert Cedar Creek Recording, Austin Texas

" I''ve been recording and mixing music here in beautiful "A" town for 25 years now. I''ve done all kinds of music, and even some post production film soundtrack stuff. I''ve seen a lot of changes in equipment and technology. I have always tried to limit my audio purchases to items that would stand the test of time, as opposed to just buying whatever is newest and coolest.

The tube-tech CL-1 compressor is one of the best examples of that philosophy. I have had my 2 CL-1B''s since 1998, and I have used them virtually every day since then. They are a very important part of the day to day operations of my studio. I have used them on everything from acoustic instruments to vocals, and even as 2 mix compressors from time to time. I can''t imagine doing a session without them! "  

Jess Jackson Producer / Songwriter From London UK and in L.A for 7 years now.

"Just wanted to let you know that I ONLY use the CL1B as my compressor when tracking vocals.

I am just wrapping up his album at the moment which consists of 14 tracks in which feature Lil Wayne, The Game, Mario, Lloyd, Drake, Snoop Dogg, Pharrell, J-Cole, Chris Brown etc.

The only compressor I have used is the CL1B for tracking all of the above artists.

I love the sound in which the CL1B gives me and is a perfect match for that vocal chain.

I also just received a platinum plaque for the songs i produced on UK''s Peter Andre "revelation" album.

I recorded the entire album at Will Smiths Boom Boom Room studio''s and again only used the CL1B for every song on the record.   

 I''m a massive fan of your work"

Peter Iversen  PUK Studio Denmark.

"When we talk vocals; if I were sent out on a desert island,

I would not not do without my Tube Tech CL 1B compressor!

I think it is the best all-around "King of compressors "that is made.

It always sounds great. "

  • Unique low distortion gain-reduction element
  • All tube-based push-pull amplifier
  • Multiple interconnection of several compressors via two busses
  • VU-meter for monitoring input, compression and output
  • Continuously variable attack and release time
  • Gain Range (off to +30 dB)
  • Variable Threshold (off to -40 dBu)
  • Frequency response @ -3 dB: 5 Hz to 25 kHz
  • Low noise: < -75 dBu @30 dB gain
  • Clickless bypass switch