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Waves Chris Lord-Alge Signature Series

Plug-in Bundle for Gitar, Bass, Trommer og vokal

Waves Chris Lord-Alge Signature Series
Varenr.: 101809
Lagerstatus: På lager

Før pris: kr 3 529

Nå pris: kr 849 inkl. mva. kr 679 eks. mva.

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Chris Lord Alge går under navnet "the Lord of the Mix". I over 20 år har han satt sitt preg på moderne hit-musikk i pop- og rock-sjangeren. Nå får du seks oppgavespesifikke audio plugger, som hver og en løser en spesifikk  utfordring i en mikssituasjon. Om du eksempelvis velger CLA Drums, får du en plugg dedikert til miksing av god trommelyd, slik Chris Lord vil at ting skal låte. En individuell plugg består av flere grunnparametre, som til slutt gir en lydmessig helhet innen sjangeren og som låter dyrt og bra - ikke ulikt en miksejobb gjort av Lord'en!

Nøkkelopplysninger:

  • Komplette "alt-i-en" prosesseringskjede
  • Mono-til-stereo og stereo/stereo plugger
  • Optimimert kontrollrekkevidde for hver plugg
  • 24bit/96kHz oppløsning
  • Støtter AAX Native, TDM, RTAS, AudioSuite, VST, AU, SoundGrid
  • PC- og Mac-kompatibel
     

Chris Lord Alge har bl.a. jobbet med disse artistene:

  • Green Day | U2 | Nickelback | Creed | Pink
  • Nine Inch Nails | Foo Fighters | Santana
  • Alanis Morissette | Daughtry | Bon Jovi
  • Avril Lavigne | Snow Patrol | Hoobastank
  • Lifehouse | Sum 41 | Dave Matthews Band
  • All American Rejects | My Chemical Romance
  • Rise Against | Goo Goo Dolls | P.O.D. | AFI
  • Paramore | The Calling | Fastball
  • and countless others.
     

OBS! Dette er ikke et fysisk produkt, men kun et serienummer. Ingen frakt kommer i tilegg på dette produktet hvis du velger "kun serie nummer" i kassen når du velger frakt og betaler med kort. Du får da tilsendt serie nummer og download link på mail.

Chris Lord-Alge on CLA Bass:
"From sub-shaking smooth sounds to Mr. Buzzsaw, CLA Bass is just what the doctor ordered. The plug-in was designed to help you lay down a solid foundation for any song. It gives you six essential effects: bass, treble, compression, sub, distortion, and chorus/flange. Whether you want it to rip, roar, growl, bark, or cut, CLA Bass delivers."

Controls:

  • Input Sensitivity is used to achieve optimal plug-in input level.
  • Input Meter displays input signal peak level.
  • Balance adjusts the offset between left and right signals. (Stereo component only)
  • Sensitivity LED indicates the presence of proper levels.
  • Bass controls low frequency gain.
  • Bass Color toggles between low frequency filters.
  • Treble controls high frequency gain.
  • Treble Color toggles between high frequency filters.
  • Compress controls the dynamic range.
  • Compress Color toggles between compression characters.
  • Sub enhances very low frequencies.
  • Sub Color turns sub enhancement on/off.
  • Distortion controls the amount of distortion.
  • Distortion Color toggles between different distortion types.
  • Pitch controls the pitch modulation wet mix.
  • Pitch Color toggles between pitch modulation types.
  • Output controls the output level.
  • Output Meter displays output signal peak level.
  • Clip LEDs light up when levels exceed 0 dBFS.
     

Chris Lord-Alge on CLA Drums:
"One of my favorite activities is to work on drums. When creating the CLA Drums plug-in, I had one thing in mind: Anyone who uses it can get a great drum sound for any song and any mix and just have fun! There are six different modes: Kick, Snare, Toms, Overheads, Room and, of course, my favorite, Cowbell. There are three color-coded presets for bass EQ, treble EQ, compression, and reverb, plus a noise gate so you can even get rid of leakage. The faders let you control the amount of each effect and, especially important for drums, we’ve included a phase switch so you can find the best setting for the kit."

Controls

  • Drum Mode toggles between the six drum/mic’ing types: Kick, Snare, Toms, Cowbell (cymbals, hi-hats & bells), Over Heads, Room
  • Input Sensitivity is used to achieve optimal plug-in input level.
  • Input Meter displays input signal peak level.
  • Balance adjusts the offset between left and right signals. (Stereo component only)
  • Sensitivity LED indicates the presence of proper levels.
  • Phase Switch engages input phase reversal.
  • Bass controls low frequency gain.
  • Bass Color toggles between low frequency filters.
  • Treble controls high frequency gain.
  • Treble Color toggles between high frequency filters.
  • Compress controls the dynamics range.
  • Compress Color toggles different compression characters.
  • Reverb controls the reverb wet mix.
  • Reverb Color toggles between reverb environments.
  • Gate controls the gate threshold. (Not available in Cowbell mode)
  • Gate Color toggles between gating shapes. (Not available in Cowbell mode)
  • Delay controls the delay wet mix. (Cowbell mode only)
  • Delay Color toggles delay times and character. (Cowbell mode only)
  • Output controls the output level.
  • Output Meter displays output signal peak level.
  • Clip LEDs light up when levels exceed 0 dBFS.
     

Chris Lord-Alge on CLA Effects:
"CLA Effects does it all. Filtered vocal? Check. Telephone FX? Check. John Lennon "I Am the Walrus" vocal distortion? Check and double check. Multiple delays with tape phasing? You got it. Reverb, tape slap, and long echo all at once? Yes, yes, and yes. One of my favorite features is the echo throw section: Hit the throw button and add long delays to just the words you want, with one click! And to top it all off, all tempos are matched to the session BPM, cutting out all the guesswork."

Controls

  • Input Sensitivity is used to achieve optimal plug-in input level.
  • Input Meter displays input signal peak level.
  • Balance adjusts the offset between left and right signals. (Stereo component only)
  • Sensitivity LED indicates the presence of proper levels.
  • Send Long Delay un-mutes the send to the Long Delay.
  • EQ controls the high frequency shelf filter.
  • EQ Color toggles between different filter effects.
  • Distortion controls the amount of distortion in the wet mix.
  • Distortion Color toggles between different distortion characters.
  • Reverb controls the reverb wet mix.
  • Reverb Color toggles between reverb environments.
  • Short Delay controls the delay wet mix.
  • Short Delay Color toggles delay times and characters. (Syncs to session BPM, Slap excluded)
  • Long Delay controls the delay wet mix.
  • Long Delay Color toggles between delay times and characters. (Syncs to session BPM)
  • Pitch controls the pitch modulation wet mix.
  • Pitch Color toggles between pitch modulation types.
  • Direct controls unprocessed signal throughput, determining whether or not the dry signal is combined with the processed output.
  • Output controls the output level.
  • Output Meter displays output signal peak level.
  • Clip LED lights up when levels exceed 0 dBFS.
     

Chris Lord-Alge on CLA Vocals:
"The most important part of any song is the vocals. The CLA Vocals plug-in makes this part of mixing an absolute joy. I have taken the very best settings which I use in my everyday mixes and crafted them into this chain. It works great on all styles of singers and, best of all, they will want that sound every time! You also get three flavors of the top six effects you need: the right amount of bass, treble, compression, reverb, delay, and chorusing/doubling."

Controls

  • Input Sensitivity is used to achieve optimal plug-in input level.
  • Input Meter displays input signal peak level.
  • Balance adjusts the offset between left and right signals. (Stereo component only)
  • Sensitivity LED indicates the presence of proper levels.
  • Bass controls low frequency gain.
  • Bass Color toggles between low frequency filters.
  • Treble controls high frequency gain.
  • Treble Color toggles between high frequency filters.
  • Compress controls the dynamic range.
  • Compress Color toggles between compression characters.
  • Reverb controls the reverb wet mix.
  • Reverb Color toggles between reverb environments.
  • Delay controls the delay wet mix.
  • Delay Color toggles between delay times and characters. (Syncs to session BPM)
  • Pitch controls the pitch modulation wet mix.
  • Pitch Color toggles between pitch modulation types.
  • Output controls the output level.
  • Output Meter displays output signal peak level.
  • Clip LEDs light up when levels exceed 0 dBFS.
     

Chris Lord-Alge on CLA Guitars:
"Two words describe the CLA Guitars plug-in: Instant Gratification. Every time I plug in my axe, I just can’t stop playing! It delivers the guitar sounds I’ve used on tracks from Green Day to Daughtry, quickly and easily. It’s like a guitar toolbox with all the necessary combinations. The plug-in features three modes—Clean, Crunch, and Heavy—with DI and Re-amping modes for each. You get three color-coded presets for the six most important effects, for the perfect blend of bass, treble, compression, reverb, delay, and chorusing/doubling."

Controls

  • Guitar Mode toggles between guitar modes: Clean, Crunch, Heavy, Bypass.
  • Re-Amplify engages a modeled guitar amp, tailored for the current guitar mode.
  • Input Sensitivity is used to achieve optimal plug-in input level.
  • Input Meter displays input signal peak level.
  • Balance adjusts the offset between left and right signals. (Stereo component only)
  • Sensitivity LED indicates the presence of proper levels.
  • Bass controls low frequency gain.
  • Bass Color toggles between low frequency filters.
  • Treble controls high frequency gain.
  • Treble Color toggles between high frequency filters.
  • Compress controls the dynamic range.
  • Compress Color toggles between compression characters.
  • Reverb controls the reverb wet mix.
  • Reverb Color toggles reverb types.
  • Delay controls the delay wet mix.
  • Delay Color toggles between delay times and characters. (Syncs to session BPM)
  • Pitch controls the pitch modulation wet mix.
  • Pitch Color toggles between pitch modulation types.
  • Output controls the output level.
  • Output Meter displays output signal peak level.
  • Clip LEDs light up when levels exceed 0 dBFS
    .

Chris Lord-Alge on CLA Unplugged:
"CLA Unplugged is a dream box of reverb effects plus great hi-res EQ and compression for complex sounds. I always loved the Aerosmith "Dream On" vocal reverb with the really long pre-delay. And I wanted a plug-in that you could also put on strings, piano, acoustic guitars, and nylon guitar solos. This plug-in was designed to give you limitless reverb and delay possibilities, and the smoothest EQ curve around."

Controls

  • Input Sensitivity is used to achieve optimal plug-in input level.
  • Input Meter displays input signal peak level.
  • Balance adjusts the offset between left and right signals. (Stereo component only)
  • Sensitivity LED indicates the presence of proper levels.
  • Bass controls low frequency gain.
  • Bass Color toggles between low frequency filters.
  • Treble controls high frequency gain.
  • Treble Color toggles between high frequency filters.
  • Compress controls the dynamic range.
  • Compress Color toggles between compression characters.
  • Reverb 1 controls reverb 1 wet mix.
  • Reverb 1 Color toggles between reverb environments.
  • Pre Delay 1 controls the pre-delay timing of Reverb 1. (Syncs to session BPM)
  • Pre Delay 1 On turns Reverb 1 pre-delay on or off.
  • Reverb 2 controls Reverb 2 wet mix.
  • Reverb 2 Color toggles between reverb environments.
  • Pre Delay 2 controls the pre-delay timing of Reverb 2. (Syncs to session BPM)
  • Pre Delay 2 On turns Reverb 2 pre-delay on or off.
  • Delay controls the delay wet mix.
  • Delay Color toggles between delay times and characters. (Syncs to session BPM)
  • Direct controls unprocessed signal throughput, determining whether or not the dry signal is combined with the processed output.
  • Output controls the output level.
  • Clip LEDs light up when levels exceed 0 dBFS.

System Requirements -  (V10)

Mac

  • CPU
    Intel Core i5 / i7 / Xeon
  • Memory
    8 GB RAM
    8 GB free disk space on the system drive
  • Operating System
    10.11.6 - 10.14
  • Screen Resolution
    Minimum: 1024x768
    Recommended: 1280x1024 / 1600x1024
    USB displays are not supported as the primary display.
  • Support for Visually Impaired Users
    Mac OS Sierra 10.12.4
    VoiceOver Utility enabled
    Pro Tools 12.7
    Logic 10.3.1


Windows

  • CPU
    Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core
  • Memory
    8 GB RAM
    8 GB free disk space on the system drive
  • Operating System
    Windows 7 with SP1 64 bit
    Windows 8.1 64 bit
    Windows 10 64 bit
  • Screen Resolution
    Minimum: 1024x768
    Recommended: 1280x1024 / 1600x1024


Supported Hosts

TDM is no longer supported by Waves v9.6 or later:

Mac

  • Pro Tools 12, 2018 (AAX Native 64-bit, Audiosuite)
  • Logic Pro X (Audio Units)
  • Digital Performer 9 (Audio Units)
  • Ableton Live 10 (VST 64-bit)
  • Nuendo 8 (VST3)
  • Cubase 9, 10 (VST3)
  • WaveLab 9 (VST3)
  • Main Stage 3 (Audio Units)
  • Garage Band 10 (Audio Units)
  • Audition 11 (VST3)
  • Premiere Pro 12 (VST3)
  • Final Cut Pro X (Audio Units)
  • Studio One 3, 4 (VST3)
  • Media Composer 8, 2018 (AAX Native)
  • FL Studio 12, 20 (VST3)
  • REAPER 5 (VST3)
  • Reason 10 (VST)
  • Maschine 2 (VST)
  • Komplete Kontrol 2 (VST)
  • Bitwig Studio 2.5 (VST3)


Windows

  • Pro Tools 12, 2018 (AAX Native 64-bit, Audiosuite)
  • Ableton Live 10 (VST)
  • Nuendo 8 (VST3)
  • Cubase 9, 10 (VST3)
  • WaveLab 9 (VST3)
  • Cakewalk by BandLab 2018.07 (VST3)
  • Audition 11 (VST3)
  • Premiere Pro 12 (VST3)
  • Samplitude Pro X3 (VST3)
  • Sequoia 14 (VST3)
  • Pyramix 11 (VST)
  • Studio One 3, 4 (VST3)
  • Media Composer 8, 2018 (AAX Native)
  • FL Studio 12, 20 (VST3)
  • REAPER 5 (VST3)
  • Reason 10 (VST)
  • Maschine 2 (VST)
  • Komplete Kontrol 2 (VST)
  • Bitwig Studio 2.5 (VST3)


Supported Platforms

TDM is no longer supported by Waves v9.6 or later: 

  • Most Audio Hosts
  • MultiRack Native
  • MultiRack SoundGrid
  • DiGiCo
  • StudioRack Native
  • StudioRack SoundGrid
  • eMotion ST Mixer
  • eMotion LV1 Mixer
  • Avid VENUE 5.7 or later**