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Waves Manny Marroquin Signature

Plug-in Bundle fra 4xGRAMMY award-winning mixing engineer

Waves Manny Marroquin Signature
Varenr.: 103732
Lagerstatus: På lager

Før pris: kr 3 529

Nå pris: kr 899 inkl. mva. kr 719 eks. mva.

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Artist Signature Collection med 6 plugins, EQ, Delay, Reverb, Tone Shaper, Triple D og Distortion.
Manny Marroquin har sammen med Waves gjort det mulig å trekke på hans store og legendariske kunnskap og signaturlyd. Her er mannen bak noen av de største artistene gjennom tidene, og du kan nå få tilgang til hans lydunivers. Vi nevner i fleng: Rihanna, Bruno Mars, Alicia KEys, John Legend, Cee Lo, Kanye West, The Rolling Stones, Chris Brown, Justin Bieber, Pitbull, Fun, Lana Del Rey, Usher, Nas, John Mayer, Imagine Dragons, Linkin Park, Christina Aguilera, B.o.B., Enrique Iglesias og Jay-Z.

OBS! Dette er ikke et fysisk produkt, men kun et serienummer. Ingen frakt kommer i tilegg på dette produktet hvis du velger "kun serie nummer" i kassen når du velger frakt og betaler med kort. Du får da tilsendt serie nummer og download link på mail.

Six Super-useful Plug-ins!
Save serious time mixing with Waves' Manny Marroquin Signature Series Plug-in Collection. Each of the six amazing plug-ins in the Manny Marroquin Signature Series Plug-in Collection combines multiple processors into a single plug-in, allowing you to quickly achieve the results you want. For depth and dimension, there's the MM Reverb and MM Delay plug-ins, whereas the MM Tone Shaper and MM Distortion make punching up your tracks easy. And when it comes to adding the perfect touch of polish to your tracks, the MM Triple D and MM EQ processors can't be beat.

TODAY’S BIGGEST STARS TRUST THEIR MIXES TO MANNY MARROQUIN.

  • Rihanna • Bruno Mars • Alicia Keys • John Legend
  • Cee Lo • Kanye West
  • Chris Brown • Justin Bieber • Pitbull • Fun  • Linkin Park
  • Lana Del Rey • Usher • Nas • John Mayer • Imagine Dragons
  • Christina Aguilera • B.o.B. • Enrique Iglesias • Jay-Z 
  • AAX Native, TDM, RTAS, AudioSuite, VST, AU, SoundGrid
     

NOW IT’S YOUR TURN.

Four-time GRAMMY® award-winning mixing engineer Manny Marroquin
Takes the Waves Signature Series to a new level with six hybrid plugins that bring his unique workflow to your studio. Alongside his personalized versions of tried-and-true favorites like EQ, reverb, delay and distortion, Manny introduces the innovative new Tone Shaper and Triple D plugins which are destined to become mixing essentials as well. Combining inspiration from his impressive collection of unique and boutique hardware, together with the fruits of his imagination, the Manny Marroquin Signature Series gives you direct access to the same tools Manny uses to mix hit after hit after hit.

 

Manny Marroquin on the MM Reverb:
“For my Reverb plugin, we modeled the very best reverbs in my room, 18 of my favorites: Six different reverbs, with three different room sizes for each. We also included some EQ and compression, which I always use to shape the reverbs so they sit perfectly within the mix. Plus, we added what I like to call the ‘fun’ section, with phaser and distortion. For example, sometimes I’ll send something to a really big reverb, then add phase and distortion to get some really unique tails. With this plugin, it’s all right there in front of you.”

Featuring

  • Convolution-based reverb with integrated EQ, compression, phaser & distortion
  • 18 in all, inspired by Manny’s go-to reverbs
  • Created in collaboration with GRAMMY®-winning mixing engineer Manny Marroquin
  • Mono, mono-to-stereo & stereo components
  • 24bit/96kHz resolution
  • Supports AAX Native, TDM, RTAS, AudioSuite, VST, AU, SoundGrid
  • PC and Mac compatible
     

Controls:

  • INPUT determines the level into the plugin.
  • TYPE selects the reverb type.
  • SIZE sets the size of the reverb selected in the Reverb Type.
  • TIME determines the selected reverb RT60.
  • PREDELAY determines the amount of time before the reverb begins.
  • REVERB AMOUNT determines the amount in the overall effect.
  • LOWS controls a shelf-like EQ centered around 60 Hz.
  • MIDS controls a wide bell EQ centered around 2 kHz.
  • HIGHS controls a wide shelf EQ centered around 8 kHz.
  • COMP controls the compressor set on the reverb path.
  • RATE determines the rate of the phaser.
  • PHASER determines the overall level of the phaser effect.
  • DISTORTION determines the overall level of the distortion effect.
  • WET/DRY determines the balance between the direct signal and the processed signal.
  • OUTPUT determines the plugin output level.
     

Manny Marroquin on the MM Delay:
“Delay is all about depth. It’s one of the key elements in almost every mix I do. Plus, it enhances the groove, and creates layers of sound which can make a mix more exciting and multi-dimensional. It usually takes me five or six different plugins to get me those delay sounds; I wanted to put them all into one. We’ve included all the little extras that I always use to make the sound even more interesting: Some nice reverb, a little bit of distortion, a doubler/harmonizer to fatten things up plus a phaser, when you want to add some movement or really go wild.

Featuring

  • Delay plus reverb, distortion, a doubler/harmonizer & phaser
  • Adds depth & dimension, enhances groove
  • Inversely-linked HP & LP filters
  • Separate left and right delay & feedback controls
  • Created in collaboration with GRAMMY®-winning mixing engineer Manny Marroquin
  • Mono-to-stereo & stereo components
  • 24bit/96kHz resolution
  • Supports AAX Native, TDM, RTAS, AudioSuite, VST, AU, SoundGrid
  • PC and Mac compatible
     

Controls

  • INPUT controls the level into the plugin.
  • MODE determines if delay time is set in milliseconds or synchronized to host tempo.
  • DELAY L/DELAY R sets the delay time.
  • FDBK L/FDBK R determines the amount of feedback per channel.
  • LINK determines whether or not channel settings are linked or independently controlled.
  • DRY/WET controls the balance between the direct and Delay + HP/LP paths.
  • HP/LP controls the cutoff frequency of the HP and LP filters.
  • HP/LP LINK inversely links HP and LP controls to create a simultaneous opening and closing filter effect on the delay.
  • VERB SIZE controls the size of the reverb.
  • VERB LEVEL controls the level of the reverb.
  • VERB ON/OFF turns the reverb on or off.
  • DISTORTION SEND controls the level of the signal going into the distortion.
  • DISTORTION WIDTH controls the position of the distortion in the stereo image.
  • DISTORTION LEVEL controls the level of the distortion output.
  • DISTORTION ON/OFF turns the distortion on or off.
  • DOUBLER DETUNE controls the detune amount.
  • DOUBLER LEVELcontrols the level of the doubler.
  • DOUBLER ON/OFF turns the doubler on or off.
  • PHASER RATE controls the modulation rate of the phaser.
  • PHASER LEVEL controls the level of the phaser.
  • PHASER ON/OFF turns the phaser on or off.
  • MONITOR selects the plugin output monitoring configuration.
  • OUTPUT controls the plugin output level.
     

Manny Marroquin on the MM Triple D:
“Getting rid of “boxy” sound, harshness and sibilance can take a lot of work – if you want to do it right, which means not EQing things out and carving certain frequency ranges completely out of your signal. The Triple D plugin makes it easy to remove those unpleasant, even painful, frequencies. So why is it called “Triple D”, you may ask? Here’s why: DeBoxy, to remove “boxy” sound from the low mid area; DeHarsher, to eliminate harshness in the mids/high mids; and DeEsser for all those high ‘sss’ and ‘shh’ sounds. With Triple D, it’s a breeze to get your vocals sounding the way they should.”

Featuring

  • Three “Ds”: DeBoxy, DeHarsher & DeEsser
  • Clean up vocal tracks quickly & easily
  • Created in collaboration with GRAMMY®-winning mixing engineer Manny Marroquin
  • Mono & stereo components
  • 24bit/96kHz resolution
  • Supports AAX Native, TDM, RTAS, AudioSuite, VST, AU, SoundGrid
  • PC and Mac compatible
     

Controls

  • INPUT controls the level into the plugin.
  • DeBOXY THRESHOLD determines the threshold above which the signal will be attenuated for that range.
  • DeBOXY FREQUENCY determines the frequency range that will be attenuated.
  • DeBOXY LISTEN plays the signal through the DeBoxy filter.
  • DeBOXY BYPASS bypasses the DeBoxy process.
  • DeBOXY ATTENUATION METER displays the amount of attenuation per band.
  • DeHARSHER THRESHOLD determines the threshold above which the signal will be attenuated for that range.
  • DeHARSHER FREQUENCY determines the frequency range that will be attenuated.
  • DeHARSHER LISTEN plays the signal through the DeHarsher filter.
  • DeHARSHER BYPASS bypasses the DeHarsher process.
  • DeHARSHER ATTENUATION METER displays the amount of attenuation per band.
  • DeESSER THRESHOLD determines the threshold above which the signal will be attenuated for that range.
  • DeESSER FREQUENCY determines the frequency range that will be attenuated.
  • DeESSER LISTEN plays the signal through the DeEsser filter.
  • DeESSER BYPASS bypasses the DeEsser process.
  • DeESSER ATTENUATION METER displays the amount of attenuation per band.
  • OUTPUT controls the plugin output level.
     

Manny Marroquin on the MM Tone Shaper:
“Parallel compression plays a huge part in my mixing technique. It adds richness and really brings out the full character of almost any sound and helps different elements stand out within a mix. Tone Shaper is a parallel compressor with four separate bands plus EQ and a few other ‘secret ingredients’ that make it quick and easy to change tonality of a track to match your mix. I’ve found that when a mix is like 80% there, instead of EQ or volume, adding the Tone Shaper makes things jump out, without sacrificing space in the mix.”

Featuring

  • Four-band linear-phase parallel compressor
  • Adds richness, brings out character
  • Created in collaboration with GRAMMY®-winning mixing engineer Manny Marroquin
  • 24bit/96kHz resolution
  • Mono & stereo components
  • Supports AAX Native, TDM, RTAS, AudioSuite, VST, AU, SoundGrid
  • PC and Mac compatible
     

Controls

  • INPUT controls the level into the plugin.
  • DIRECT controls the level of the direct (input) signal, post send to parallel processing.
  • DIRECT IN/OUT mutes the direct signal from the output.
  • LOW controls the level of the low frequency range of the parallel process.
  • LOW IN/OUT mutes the Low section signal path, removing it from the output.
  • LOW TYPE selects the specific low frequency range.
  • LO MID controls the level of the low mid frequency range of the parallel process.
  • LO MID IN/OUT mutes the Lo Mid section signal path, removing it from the output.
  • LO MID TYPE selects the specific low mid frequency range.
  • HI MID controls the level of the high mid frequency range of the parallel process.
  • HI MID IN/OUT mutes the Hi section signal path, removing it from the output.
  • HI MID TYPE selects the specific high mid frequency range.
  • HIGH controls the level of the high frequency range of the parallel process.
  • HIGH IN/OUT mutes the Hi Mid section signal path, removing it from the output.
  • HIGH TYPE selects the specific high frequency range.
  • WIDTH receives pre-fader input from the low mid, high mid and high parallel paths, widening the stereo image of the signal it receives.
  • WIDTH IN/OUT mutes the Width section signal path, removing it from the output.
  • OUTPUT controls the plugin output level.
     

Manny Marroquin on the MM Distortion:
“One of the things I also love is distortion. Whether or not it’s audible, sometimes I just want to feel it. By adding just a touch of it, it will help get me that. And I’m not just talking just about guitars, either. A little bit of distortion on vocals, Rhodes, Wurlis, etc. can really add a lot of attitude and edge. So whether you like it ‘crunchy-style’ or ‘down-and-dirty,’ this Distortion is a simple but very effective plugin.”

Featuring

  • Internal parallel distortion path & frequency shaping
  • Attack & release controls
  • Adds attitude and edge to guitars, vocals, Rhodes & more
  • Created in collaboration with GRAMMY®-winning mixing engineer Manny Marroquin
  • Mono & stereo components
  • 24bit/96kHz resolution
  • Supports AAX Native, TDM, RTAS, AudioSuite, VST, AU, SoundGrid
  • PC and Mac compatible
     

Controls

  • INPUT determines the level into the plugin.
  • DIRECT LEVEL determines the overall level of the direct signal in the output.
  • DRIVE determines the amount of signal sent to the distortion.
  • DISTORTION LEVEL determines the level of the distortion coming out of the plugin.
  • ATTACK determines how fast the distortion will attack the signal.
  • RELEASE determines how fast the distortion will be released.
  • BASS determines the amount of low frequencies (a wide shelf around 100Hz) reaching the distortion engine.
  • MID determines the amount of midrange frequencies reaching the distortion engine.
  • MID FREQUENCY determines the cutoff point of midrange frequencies reaching the distortion engine.
  • TREBLE determines the amount of high frequencies (a wide bell around 9 kHz) reaching the distortion engine.
  • OUTPUT determines the plugin output level.
     

Manny Marroquin on the MM EQ:
“When I sit down to do a mix, and I’m looking to do some creative equalization, as opposed to doing some ‘clean up,’ I always seem to end up reaching for the same frequencies. That’s when I go for one of my six go-to equalizers, depending on the frequency: SSL 9080 XL K for its high and low pass filters; Quad 8 or Neve 1073 for the low end; Quad 8 or Motown for lows/low mids; Motown, 1073 and API 550B for mids/high mids; and Avalon 2055 for its silky high end. Waves and I captured the best of each of my favorite EQs – and put them together in one plugin.”

Featuring

  • Four-band equalizer plus high & low pass filters
  • Each cutoff point inspired by a different unit: Quad 8, Motown, Neve 1073, API 550B, Avalon 2055, SSL 9080 XL K
  • Created in collaboration with GRAMMY®-winning mixing engineer Manny Marroquin
  • Mono & stereo components
  • 24bit/96kHz resolution
  • Supports AAX Native, TDM, RTAS, AudioSuite, VST, AU, SoundGrid
  • PC and Mac compatible
     

Controls

  • INPUT controls the level into the plugin.
  • HP determines the frequency of the high pass filter.
  • GAIN 1 controls low frequency gain.
  • FREQ 1 controls the low frequency band cutoff point.
  • GAIN 2 controls low-mid frequency gain.
  • FREQ 2 controls the low-mid frequency band cutoff point.
  • GAIN 3 controls high-mid frequency gain.
  • FREQ 3 controls the high-mid frequency band cutoff point.
  • GAIN 4 controls high frequency gain.
  • FREQ 4 controls the high frequency band cutoff point.
  • LP determines the frequency of the low pass filter.
  • OUTPUT controls the plugin output level.

System Requirements -  (V10)

Mac

  • CPU
    Intel Core i5 / i7 / Xeon
  • Memory
    8 GB RAM
    8 GB free disk space on the system drive
  • Operating System
    10.11.6 - 10.14
  • Screen Resolution
    Minimum: 1024x768
    Recommended: 1280x1024 / 1600x1024
    USB displays are not supported as the primary display.
  • Support for Visually Impaired Users
    Mac OS Sierra 10.12.4
    VoiceOver Utility enabled
    Pro Tools 12.7
    Logic 10.3.1


Windows

  • CPU
    Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core
  • Memory
    8 GB RAM
    8 GB free disk space on the system drive
  • Operating System
    Windows 7 with SP1 64 bit
    Windows 8.1 64 bit
    Windows 10 64 bit
  • Screen Resolution
    Minimum: 1024x768
    Recommended: 1280x1024 / 1600x1024


Supported Hosts

TDM is no longer supported by Waves v9.6 or later:

Mac

  • Pro Tools 12, 2018 (AAX Native 64-bit, Audiosuite)
  • Logic Pro X (Audio Units)
  • Digital Performer 9 (Audio Units)
  • Ableton Live 10 (VST 64-bit)
  • Nuendo 8 (VST3)
  • Cubase 9, 10 (VST3)
  • WaveLab 9 (VST3)
  • Main Stage 3 (Audio Units)
  • Garage Band 10 (Audio Units)
  • Audition 11 (VST3)
  • Premiere Pro 12 (VST3)
  • Final Cut Pro X (Audio Units)
  • Studio One 3, 4 (VST3)
  • Media Composer 8, 2018 (AAX Native)
  • FL Studio 12, 20 (VST3)
  • REAPER 5 (VST3)
  • Reason 10 (VST)
  • Maschine 2 (VST)
  • Komplete Kontrol 2 (VST)
  • Bitwig Studio 2.5 (VST3)


Windows

  • Pro Tools 12, 2018 (AAX Native 64-bit, Audiosuite)
  • Ableton Live 10 (VST)
  • Nuendo 8 (VST3)
  • Cubase 9, 10 (VST3)
  • WaveLab 9 (VST3)
  • Cakewalk by BandLab 2018.07 (VST3)
  • Audition 11 (VST3)
  • Premiere Pro 12 (VST3)
  • Samplitude Pro X3 (VST3)
  • Sequoia 14 (VST3)
  • Pyramix 11 (VST)
  • Studio One 3, 4 (VST3)
  • Media Composer 8, 2018 (AAX Native)
  • FL Studio 12, 20 (VST3)
  • REAPER 5 (VST3)
  • Reason 10 (VST)
  • Maschine 2 (VST)
  • Komplete Kontrol 2 (VST)
  • Bitwig Studio 2.5 (VST3)


Supported Platforms

TDM is no longer supported by Waves v9.6 or later: 

  • Most Audio Hosts
  • MultiRack Native
  • MultiRack SoundGrid
  • DiGiCo
  • StudioRack Native
  • StudioRack SoundGrid
  • eMotion ST Mixer
  • eMotion LV1 Mixer
  • Avid VENUE 5.7 or later**